ezra winton

In Pernik for the Short Films Conference

On June 25, 2006 I gave a talk at the SHORT FILMS, BIG QUESTIONS: FESTIVALS, POLITICS, AND PUBLIC ENGAGEMENT conference in Pernik, Bulgaria. It was a great academic gathering in a wonderful location that ran in conjunction with the In the Palace International Short Film Festival, an Oscar-qualifying festival in its 23rd year of operation. I had the opportunity to share with colleagues some of the research from my book project on Hot Docs, and talked about something I don’t usually cover at conferences: shorts at Hot Docs. Crunching the…read more

Production still from John Ford's The Searchers (1956)

Oct.11

Settler Frames, Part 1 Launched

Posted by in Academix, Curating

After a 2018 Curator-In-Residency sting at Concordia Unviversity’s fabulous VCR – Visual Collections Repository, where I was tasked with animating the film archives, I was inspired to keep going with the work. That initial time spent pouring over hundreds of films from various “settler cinemas” (USA, Canada, UK, Australia) was enlightening and invigorating. I ended up staging a small curated installation of some films that highlighted my developing theory of the “Five Settler Archetypes.” Afterward, and clearly because I was avoiding my larger book project about film festivals and neoliberalism…read more

Feb.10

New Book: Indigenous Media Arts in Canada – Order your copy!

Posted by in Academix

Over five years in the making and ready to order It was the summer of 2018 when I approached Dana Claxton, after a keen suggestion from our mutual acquaintance Heather Igloliorte, to edit a book together. I was a huge fan of Dana’s art, so it was with much excitement and anticipation that I embarked on what would end up being a long and fulfilling journey together. After more than one roadblock, including a global pandemic, I am delighted to report that our publisher, WLUP, is shipping copies to customers as…read more

Jan.14

What is Screen Ethics?

Posted by in Cinema, Festivals

When considering the liberal festival experience, agnostic curation sidesteps what I call screen ethics, an approach to media or screen arts that denies the possibility of content being tidily and unproblematically divorced from context, and holds that ethical considerations must include the ways in which films are made and the ways in which films circulate and are embedded/deployed in wider cultures and society (especially by way of curatorial and exhibition practices and platforms). With this in mind, when we ask what are the ethical concerns around films programmed at film…read more

Nov.19

Radical Media Advert: A Values Dissonance

Posted by in Advertising, Alt Media

Radical Media is an advertising, marketing and production company known for, among other things, trademarking the term “radical media,” as well as threatening activists, artists and academics with lawsuits if they dare to use the term for public events. The only thing “radical” about the company is its departure from the term’s rich history of creating collaborative, reciprocal, accessible, participatory community-based media. Recently I came across an advert the company made for Walmart, starring Hans Zimmer. In the advert, entitled “The Walmart Box” and directed by Hollywood filmmaker Nancy Meyers,…read more

Oct.17

Fall Speaking Engagements

Posted by in Academix

I’m fortunate enough to have been invited to speak about my current research and other projects at a few institutions in Quebec and Ontario this Fall (2018). It’s always so rewarding to visit communities and engage in discussions with people who are invested in the same topics and issues one is researching and writing about. I’m so grateful to all the folks who organize these talks and who take time out of their busy lives to come out to the events. I’ve done two of these so far: a talk…read more

Sep.07

The Launch of Documentary Futurism

Posted by in Cinema Politica, Uncategorized

On September 13th, 2018, the world will receive 15 speculative gifts. On that forward-looking day Cinema Politica launches our newest project in Montreal, Documentary Futurism. Way back in 2016 we pitched a wild idea to the Canada Council for the Arts for their New Chapter initiative (meant to mark the occasion of Canada’s supposed 150th birthday). It was audacious: seed a new film genre by commissioning 15 short films that blend documentary techniques with the speculative or imaginary. We called it The Next 150: Documentary Futurism (or Documentary Futurism for…read more

May.25

Against empathy?

Posted by in Animation, Doc Side

This short animation from The Atlantic highlights some of Professor Paul Bloom’s thoughts on why empathy—at least a kind of status quo mainstream empathy—isn’t really a good thing at all. The short should really be called “Against warm glow altruism,” as Bloom is focused on building off of Peter Singer’s concept of effective altruism and this isn’t really an argument against empathy per se. The animation is a little rudimentary, but it still serves as a provocation to the burgeoning industry of liberal documentary and its attendant army of NGOs,…read more

May.06

20 Questions for Film Curators

Posted by in Art, Cinema, Culture and Politics, Festivals

This past winter I taught a graduate seminar course at Mel Hoppenheim School of Cinema (Concordia University) entitled “Curatorial Practices and the Politics of Programming.” It was a fantastic and meaningful experience and I was fortunate enough to have 13 engaged students, all of whom suffered along with me as I attempted to make sense of my overly-ambitious and newly minted syllabus. After a few weeks of the course and after several discussions around programming ethics, responsibilities, practices, and outcomes, we decided to compile a list of questions that someone curating or programming film might…read more

Apr.29

Fighting Fascism by way of Understanding the Fascists

Posted by in Doc Side

One of the common criticisms of advocacy films like Bully that I’ve heard and share is that the filmmakers narrowly focus on victims without ever exploring those who perpetrate. These films help along the equivocal knee-jerk reaction to oppression when we have a two-dimensional villain to point to: kids today! But why do kids bully and what are their lives like? Answering, or at least interrogating, these questions would move us in a direction to better understand the complexities of bullying and would likely elicit a more nuanced, thoughtful reaction…read more