ezra winton

Earlier this month I had the pleasure and privilege of participating in NSCAD’s Cineflux Symposium, an academic gathering that explores the “old new” forms, modes, practices and theories of cinema. My Postdoctoral supervisor, Dr. Darrell Varga, invited me to present a paper on the politics of presence and documentary activist screening spaces, which was indeed given to a receptive audience on the last Sunday morning of the symposium. There was a slight hiccup with my arrival for my panel, as my phone was still set to Montreal time and the…read more